Windows, Quicktime and premiere - Creative COW's user support and discussion forum for users of Adobe Premiere Pro. Also, check out Creative COW's Premiere Pro podcast. The Adobe Premiere Pro Export Guide (Part One): Codecs Posted by Sareesh Sudhakaran July 1, 2013 May 15, 2016 21 Comments on The Adobe Premiere Pro Export Guide (Part One): Codecs This guide explores the export capabilities of Adobe Premiere Pro.
You capture digital video from a live camera or from tape: you record it from the source to the hard disk. Many digital camcorders and decks record video to tape. You capture the video from tape to the hard disk before using it in a project. Premiere Pro captures video through a digital port, such as a FireWire or SDI port installed on the computer.
Premiere Pro saves captured footage to disk as files, and imports the files into projects as clips. You can use Adobe After Effects to start Premiere Pro and start the capture process. Alternatively, you can use Adobe OnLocation to capture video. To capture digital video footage, your editing system needs the following components: • For DV or HDV footage, one of the following: • an OHCI-compliant IEEE 1394 (FireWire, i.Link) port or capture card • a non-OHCI-compliant IEEE 1394 capture card with presets, drivers, and plug-ins written specifically for Premiere Pro.
• For HD or SD footage playable on a device with SDI or component outputs, a supported HD or SD capture card with SDI or component inputs. • For HD or SD footage stored on media from file-based camcorders, a device connected to your computer capable of reading the respective media. 
• For recording audio from analog sources, a supported audio card with an analog audio input. • A codec (compressor/decompressor) for the type of footage you want to capture. Premiere Pro has its own codecs for importing DV and HDV footage.
Plug-in software codecs are available for other types. Hardware codecs are built in to some capture cards. • A hard disk capable of sustaining the data rate for the type of footage you want to capture. • Sufficient disk space for the captured footage. Use the Capture panel (choose File > Capture) to capture digital or analog video and audio.
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This panel includes a preview, which displays video being captured, and controls for recording with or without device control. The Capture panel also contains a Settings pane for editing your capture settings, and a Logging pane for logging clips for batch capturing.
For convenience, some options available in the Capture panel are also available in the Capture panel menu. You can control certain source devices, such as camcorders and decks, directly from the Capture panel.
Your computer must have an IEEE1394, RS-232, or RS-422 controller compatible with Premiere Pro. If your source device lacks any of these interfaces, you still use the Capture panel.
You must cue, start, and stop your source device using its controls. Premiere Pro does not limit the size of files.
However, your capture card, operating system, or hard disk can set such a limit. Check your capture card and hard disk documentation for information on support of large files. The format of your hard disk greatly affects its ability to handle large files. FAT32 formatting limits each file to 4 GB, or about 18 minutes of DV footage. NTFS formatting does not limit file size. It is best to use NTFS-formatted disks as the scratch disks where you capture video and for the target hard drives where you export video files.
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